tag:blogger.com,1999:blog-198914982024-03-14T03:11:22.893+01:00restauro del libroQuesto blog è dedicato al restauro dei libri, dei manoscritti e della carta in generale, ma anche alla loro conservazione prevenzione e patologie. Ovviamente è aperto al contributo di restauratori, bibliotecari e archivisti e comunque di chiunque abbia a cuore la conservazione del libro inteso come manufatto e non solo come veicolo di un testo ...Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.comBlogger857125tag:blogger.com,1999:blog-19891498.post-84071025309801619052020-09-01T10:53:00.002+02:002020-09-07T11:17:05.194+02:00sito del laboratorio di restauro della biblioteca nazionale di Firenze<p><a href=" https://www.bncf.firenze.sbn.it/biblioteca/laboratorio-di-restauro/"> https://www.bncf.firenze.sbn.it/biblioteca/laboratorio-di-restauro/</a></p><p>Da poco è on line il nuovo sito del laboratorio di restauro della biblioteca nazionale di Firenze.</p><p>Si accettano critiche costruttive e suggerimenti </p>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-91503669100265144712020-07-10T10:05:00.001+02:002020-07-10T10:05:46.662+02:00tirocini extra curriculari<div>La Biblioteca Nazionale Centrale di Firenze ha pubblicato un bando per due tirocini di restauro librario. O</div><div>Sono tirocini pagati, anche se poco... </div><div><br></div>https://www.bncf.firenze.sbn.it/notizia.php?id=1929Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-78968170694324119062019-09-10T15:19:00.003+02:002019-09-10T15:19:39.844+02:00<div class="gs" style="background-color: white; color: #222222; font-family: Roboto, RobotoDraft, Helvetica, Arial, sans-serif; margin: 0px; padding: 0px 0px 20px; width: 564px;">
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Da: <span dir="auto"><<a href="mailto:segreteriarestauro@crforma.it" style="color: #1155cc;" target="_blank">segreteriarestauro@crforma.it</a><wbr></wbr>></span><br />Date: mar 10 set 2019, 14:06<br />Subject: CON PREGHIERA DI DIFFUSIONE - CORSI RESTAURO CRFORMA<br />To: <<a href="mailto:segreteriarestauro@crforma.it" style="color: #1155cc;" target="_blank">segreteriarestauro@crforma.it</a><wbr></wbr>></div>
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<span style="color: black; font-family: Helvetica, sans-serif;">La Scuola di restauro Cr.Forma di Cremona comunica che sono aperte le iscrizioni ai nuovi corsi triennali professionali di Tecnico del Restauro di beni culturali.</span><span style="color: black; font-family: "Times New Roman", serif; font-size: 12pt;"><u></u><u></u></span></div>
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<b><span style="color: black; font-family: Helvetica, sans-serif;">- TECNICO DEL RESTAURO DI BENI CULTURALI: STRUMENTI MUSICALI DELLA LIUTERIA CLASSICA A PIZZICO ED ARCHETTERIA.</span></b><span style="color: black;"><u></u><u></u></span></div>
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<b><span style="color: black; font-family: Helvetica, sans-serif;">- TECNICO DEL RESTAURO DI BENI CULTURALI. MATERIALE LIBRARIO E ARCHIVISTICO, MANUFATTI CARTACEI E PERGAMENACEI, MATERIALE FOTOGRAFICO.</span></b><span style="color: black;"><u></u><u></u></span></div>
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<b><span style="color: black; font-family: Arial, sans-serif;">Destinatari</span></b><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Età dai 16 ai 29 anni compiuti alla data del 26/02/2019</span></span><span style="color: #1f497d; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><b><span style="color: black; font-family: Arial, sans-serif;">Requisiti di accesso</span></b></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Diploma di istruzione secondaria superiore ovvero qualifica almeno triennale anche del sistema di istruzione e formazione professionale già conseguito alla data del 26/02/2019</span></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Residenti o domiciliati in Regione Lombardia</span></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Disoccupati (in base a quanto previsto dall’articolo 19 del D.Lgs. n°150/2015)</span></span><span style="color: #1f497d; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><b><span style="color: black; font-family: Arial, sans-serif;">Figura professionale</span></b></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Il Tecnico del restauro di beni culturali collabora con il restauratore eseguendo azioni dirette ed indirette per limitare i processi di degrado dei beni ed assicurarne la conservazione.</span></span><span style="color: #1f497d; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><b><span style="color: black; font-family: Arial, sans-serif;">Durata del corso </span></b></span><span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;"> </span></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Il Corso ha durata triennale. Il monte ore annuo è pari a 900 ore e il 30% del monte ore triennale sarà destinato ad attività di tirocinio formativo.</span></span><span style="color: #1f497d; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><b><span style="color: black; font-family: Arial, sans-serif;">Tempistica</span></b></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="color: black; font-family: Arial, sans-serif;">Il corso inizierà entro Ottobre 2019 e si concluderà con gli esami finali entro il 31 dicembre 202</span></span><span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="font-family: Arial, sans-serif;">1<span style="color: black;">.</span></span></span><span style="color: black; font-size: 10.5pt;"><u></u><u></u></span></div>
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<span class="m_-3520702814194357067m_-2786360786329054964a1"><span style="font-family: Arial, sans-serif;">Le lezioni si svolgeranno a Cremona presso la sede di Via Cesari, 7 e presso i Laboratori di restauro di Palazzo Fodri in Corso Matteotti,17 dal lunedì al venerdì con una frequenza di circa 30 ore settimanali </span></span><span style="color: #1f497d; font-family: "Times New Roman", serif; font-size: 12pt;"><u></u><u></u></span></div>
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<span style="font-family: Helvetica, sans-serif;">Le chiediamo, cortesemente, di divulgare e contribuire alla promozione dell’iniziativa e a tal fine inviamo una locandina da esporre negli spazi che riterrete opportuni.</span><span style="font-family: "Times New Roman", serif; font-size: 12pt;"><u></u><u></u></span></div>
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Segreteria Restauro<u></u><u></u></div>
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CR.FORMA Azienda Speciale Servizi di Formazione Provincia di Cremona<u></u><u></u></div>
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Via Cesari, 7 - 26100 Cremona<u></u><u></u></div>
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Tel. 0372/403411<u></u><u></u></div>
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<a data-saferedirecturl="https://www.google.com/url?q=http://www.crforma.it&source=gmail&ust=1568207837245000&usg=AFQjCNFOHU6bUBbmYdHuGHESvSic5GfOiA" href="http://www.crforma.it/" rel="noreferrer" style="color: #1155cc;" target="_blank">www.crforma.it</a><u></u><u></u></div>
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Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-13195787096497149752018-10-29T15:23:00.001+01:002018-10-29T15:23:58.646+01:00<h1 class="size-L" style="background: rgb(255, 255, 255); border: 0px; line-height: normal; margin: 0.6em 0px 1.2em; outline: 0px; padding: 0px; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline;">
<span style="color: #009194; font-family: georgia, serif;"><span style="font-size: 27.2px; font-weight: 400;">https://www.ifla.org/node/91589</span></span></h1>
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Qatar National Library and UNESCO: Practical Methods for the Scientific Examination of Library Objects</h1>
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When</h2>
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3 – 5 December 2018</div>
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Headquarters of the Archives of Morocco, Rabat, Kingdom of Morocco</div>
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<img alt="Practical Methods for the Scientific Examination of Library Objects" src="https://www.ifla.org/files/assets/pac/Documents/qnl_and_unesco.png" style="background: transparent; border: 0px; font-size: 13px; height: 313px; margin: 0px; max-width: 440px; opacity: 0.9; outline: 0px; padding: 0px; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline; width: 440px;" /></div>
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Within the framework of the agreement signed between Qatar National Library and UNESCO, “Supporting Documentary Heritage Preservation in the Arab Region,” and in cooperation with the Moroccan Archive Foundation, the IFLA/PAC Regional Center for Arab Countries and the Middle East at Qatar National Library is organizing the training course: Practical Methods for the Scientific Examination of Library Objects.</div>
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Qatar National Library is pleased to invite all libraries, cultural institutions and museums in the Maghreb countries to nominate paper and book conservators to attend this three-day training course held at the headquarters of the Archives of Morocco. </div>
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The course will be conducted by Dr. Antonino Cosentino, Director of <a href="https://chsopensource.org/trainings/" style="background: transparent; border-bottom: none rgb(187, 85, 119); border-image: initial; border-left: 0px rgb(187, 85, 119); border-right: 0px rgb(187, 85, 119); border-top: 0px rgb(187, 85, 119); color: #990000; font-size: 12.996px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline;">Cultural Heritage Science Open Source</a>.</div>
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The training is free, and accommodation and airline tickets will be covered for some participants.</div>
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To register or inquire, please contact us by email: <a href="mailto:qnlpac@qf.org.qa" style="background: transparent; border-bottom: none rgb(187, 85, 119); border-image: initial; border-left: 0px rgb(187, 85, 119); border-right: 0px rgb(187, 85, 119); border-top: 0px rgb(187, 85, 119); color: #990000; font-size: 12.996px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline;"><span style="background: transparent; border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline;">qnlpac@qf.org.qa</span></a></div>
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Read the full programme and invitation in <a href="https://www.ifla.org/files/assets/pac/Documents/pac_training_outline_english_aug_2018.pdf" style="background: transparent; border-bottom: none rgb(187, 85, 119); border-image: initial; border-left: 0px rgb(187, 85, 119); border-right: 0px rgb(187, 85, 119); border-top: 0px rgb(187, 85, 119); color: #990000; font-size: 12.996px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline;">English </a>or <a href="https://www.ifla.org/files/assets/pac/Documents/pac_training_outline_arabic_aug_2018.pdf" style="background: transparent; border-bottom: none rgb(187, 85, 119); border-image: initial; border-left: 0px rgb(187, 85, 119); border-right: 0px rgb(187, 85, 119); border-top: 0px rgb(187, 85, 119); color: #990000; font-size: 12.996px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; text-shadow: rgb(255, 255, 255) 0px 0px 0px; vertical-align: baseline;">Arabic</a>.</div>
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Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-25029899761785914622018-08-03T12:35:00.002+02:002018-08-03T12:35:30.624+02:00Event Review: Christopher Clarkson (1938-2017): A Conservator’s Path -- Tributes and Celebrations<h1 class="page__title title" id="page-title" style="color: #223b8c; font-family: Ubuntu; line-height: 1.42857em; margin: 0px; padding: 0px 0px 20px 30px;">
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Event Review: Christopher Clarkson (1938-2017): A Conservator’s Path -- Tributes and Celebrations</h1>
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<span content="2018-07-23T18:14:11+01:00" datatype="xsd:dateTime" property="dc:date dc:created" rel="sioc:has_creator">Submitted by <span about="/user/5921" class="username" datatype="" property="foaf:name" typeof="sioc:UserAccount schema:Person" xml:lang="">Sharra Grow</span> on <time datetime="2018-07-23T18:14:11+01:00" pubdate="">23 Jul 2018</time></span></div>
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<a class="lightbox-processed" href="https://www.iiconservation.org/sites/default/files/news/images/9041-2014_ccwb_1.jpg" rel="lightbox[field_content_image][Christopher Clarkson examining a manuscript. Image Copyright Jane Eagan / Winchester Cathedral]" style="color: #0077aa; text-decoration-line: none;" title="Christopher Clarkson examining a manuscript. Image Copyright Jane Eagan / Winchester Cathedral"><img alt="Christopher Clarkson examining a manuscript. Image Copyright Jane Eagan / Winchester Cathedral" height="155" src="https://www.iiconservation.org/sites/default/files/styles/large/public/news/images/9041-2014_ccwb_1.jpg?itok=Zq4tUO4e" style="border: 0px; height: auto; max-width: 100%; width: auto;" title="Christopher Clarkson examining a manuscript. Image Copyright Jane Eagan / Winchester Cathedral" typeof="foaf:Image" width="207" /></a></div>
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By Jane Eagan, FIIC</div>
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On Monday March 5, 2018, the bibliothèque de l’Arsenal in Paris held an event to celebrate Christopher Clarkson’s contribution to book conservation. The Arsenal Library, in the Bastille neighbourhood of Paris, was founded in 1756, and has been a department of the Bibliothèque nationale de France (BnF) since 1934. Its history and library collections, which have a particular strength in the area of book collecting, are conserved on location by a team of five bookbinders and book conservators.</div>
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To honour Clarkson, the conservation team put together a one-day practical workshop and public evening lecture, the first public event at the library to focus on a conservation theme. Marlène Smilauer, Head of Conservation at the Arsenal Library, sought out Nadine Dumain, a private bookbinder and book conservator at the Moulin du Verger, to assist her as co-organiser and to lead the practical workshop during the day.</div>
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<a href="https://www.iiconservation.org/node/7770">read more...</a></div>
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</article>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-57886336406308573312018-06-28T10:04:00.002+02:002018-06-28T10:04:39.353+02:00<div id="color-wrapper" style="background: rgb(160, 90, 30); font-family: "Open Sans"; font-size: 13px; margin: 0px; padding: 0px; position: relative;">
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Exhibitions Conservator</div>
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University of Cambridge</div>
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Cambridge, United Kingdom</div>
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14d ago</div>
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<span style="font-family: Open Sans;"><span style="font-size: 15px;">https://neuvoo.co.uk/view/?id=cpxv85bvit&source=linkedin&utm_source=partner&utm_medium=linkedin&puid=fadda9dg79d8g9da7dd8gddbgaded9dabad7f9dc3ee3cdcgfec3dc&splitab=1&action=emailAlert</span></span></div>
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This is an exciting opportunity for a highly motivated and proactive individual to work at the heart of one of the world's major research libraries.</div>
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Cambridge University Library (CUL) is a legal deposit library containing one of the greatest collections of books and manuscripts in the world.</div>
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CUL currently mounts two major exhibitions each year in its Milstein Exhibition Centre and monthly exhibitions in its two Entrance Hall cases.</div>
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These are open to the public and admission is free. In 2016, CUL appointed a Head of Exhibitions and Public Programmes to be responsible for the changing displays in the Milstein Exhibition Centre.</div>
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Exhibitions enable the CUL to reveal the richness of the books and manuscripts we hold, provide access to the collection for those not engaged in academic work, and highlight the world leading research that goes on within CUL and the University more widely.</div>
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This Exhibitions Conservator post seeks to fulfil an increasingly important role in the Conservation and Collection Care Department, handling both the practical conservation and the attendant administration for CUL exhibitions.</div>
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Reporting to the Head of Exhibitions and Public Programmes, the role holder will assist with the planning and delivery of CUL's exhibitions in the Milstein Exhibition Centre and maintain and develop CUL as a specialist centre of excellence in the area of innovative displays.</div>
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The role holder will project manage the delivery of CUL's exhibitions in the Milstein Exhibition Centre in all aspects relating to the display of objects, these include :</div>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Planning and oversight of workflow necessary for the delivery of exhibitions</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Liaising with the Head of Exhibitions and Public Programmes</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Liaising with curators and librarians on matters relating to display</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Assessing material for their suitability for exhibition</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Carrying out any necessary conservation treatments</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Designing support structures</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Working with the Head of Exhibitions and Public Programmes on case planning and layout</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Working with Conservation and Collection Care colleagues in preparing and installing material for exhibition</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Working with Building Services on matters relating to display in the Milstein Exhibition Centre</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Liaising with and provide any necessary support to the Digital Content Unit for exhibition items that require imaging</li>
<li style="display: block; font-family: "Open Sans"; font-size: 15px; margin: 0px; padding: 5px 0px 5px 10px; position: relative;">Writing blogs and use of other forms of Social Media, including Twitter</li>
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Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-90668272965356318962018-04-06T19:27:00.001+02:002018-04-06T19:27:00.839+02:00Twined End-bands in the Bookbinding Traditions of the Eastern Mediterranean - The British Library<div class="text-block p-l-1col" style="background-color: white; border-bottom-style: none; font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; font-size: 14px; padding-left: 1rem;"><div class="standfirst" style="font-size: 16px; font-weight: bold; margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">A five-day practical workshop</div></div><div class="text-block p-l-1col p-t-1col" style="background-color: white; border-bottom-style: none; font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; font-size: 14px; padding-left: 1rem; padding-top: 1rem;"><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">Book end-bands (small cords or strips of material affixed near the spine, usually of hardcover bindings) can be beautiful as well as practical, and they can also tell us a great deal about a book’s creation, its provenance, evolution, purpose and relationship with other crafts.</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">This five-day course offers a chance to practise and clarify the characteristics of twined or woven end-bands and their technical and decorative variations.</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">Twined end-bands represent a distinct category of rather elaborate compound end-bands commonly found in virtually all the bookbinding traditions of the Eastern Mediterranean. Over the course of the week participants will be able to make at least six different twined end-bands – a Coptic, an Islamic, a Syriac, a Byzantine, an Armenian, and a tablet woven end-band – to be taken away at the end of the course.</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">An introductory lecture will explain their evolution in time and place, their classification and terminology, their structural and decorative features as well as their relation to fabric-making techniques. Working materials, a hand out with explanatory drawings and some reading material will be also provided.</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">The course is led by Georgios Boudalis, Head of Book and Paper Conservation at the Museum of Byzantine Culture in Thessaloniki, Greece.</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;"><strong>Day 1</strong>Morning session: Introductory lecture on end-bands</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">Afternoon session: Hands-on basic technique of twining</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;"><strong>Day 2</strong>Morning session: Coptic split-twined end-band</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">Afternoon session: Islamic twined end-band</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;"><strong>Day 3</strong>Morning session: Syriac twined end-band</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;">Afternoon session: Byzantine twined end-band</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;"><strong>Day 4</strong>Morning and afternoon sessions: Armenian end-band</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;"><strong>Day 5</strong>Morning and afternoon sessions: The tablet-woven end-band (15th-16th century Russian and Byzantine bindings)</div><div style="margin-bottom: 0.6875rem; margin-top: 0.625rem; max-width: 960px;"><br /></div></div><div class="text-block p-l-1col footer-sponsors" style="background-color: white; border-bottom-style: none; font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; font-size: 14px; padding-left: 1rem;"></div><div class="text-block p-l-1col p-t-1col" style="background-color: white; border-bottom-style: none; font-family: Arial, "Helvetica Neue", Helvetica, sans-serif; font-size: 14px; padding-left: 1rem; padding-top: 1rem;"><h2 style="font-size: 1.8em; line-height: 1.2; margin: 0.9em 0px;">Details</h2><div class="table-block event-details " id="eventsList3"><table border="0" style="border-collapse: collapse; border-spacing: 0px; border: none; margin: 0px 0px 1rem; width: 100%px;"><tbody style="border: none;">
<tr style="border: none;"><th style="border: none; padding: 0.5rem; text-align: left; vertical-align: top;">Name:</th><td style="border: none; padding: 0.5rem; vertical-align: top;">Twined End-bands in the Bookbinding Traditions of the Eastern Mediterranean</td></tr>
<tr style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: none;"><th style="border: none; padding: 0.5rem; text-align: left; vertical-align: top;">Where:</th><td style="border: none; padding: 0.5rem; vertical-align: top;">British Library St Pancras </td></tr>
<tr style="border: none;"><th style="border: none; padding: 0.5rem; text-align: left; vertical-align: top;">When:</th><td style="border: none; padding: 0.5rem; vertical-align: top;"><time datetime="2018-07-23T09:30:00" itemprop="startDate" style="border: none;"><span style="border: none;" title="Monday">Mon</span> 23 Jul 2018, 09:30</time> - <time datetime="2018-07-27T17:30:00" itemprop="endDate" style="border: none;"><span style="border: none;" title="Friday">Fri</span> 27 Jul 2018, 17:30</time></td></tr>
<tr style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: none;"><th style="border: none; padding: 0.5rem; text-align: left; vertical-align: top;">Price:</th><td style="border: none; padding: 0.5rem; vertical-align: top;">Full Price: £400.00</td></tr>
<tr style="border: none;"><th style="border: none; padding: 0.5rem; text-align: left; vertical-align: top;">Enquiries:</th><td style="border: none; padding: 0.5rem; vertical-align: top;">+44 (0)1937 546546<br style="border: none;" /><a href="mailto:boxoffice@bl.uk" style="border: none; color: #018074; text-decoration-line: none;">boxoffice@bl.uk</a></td></tr>
</tbody></table></div></div><a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-81024525926153667542018-03-13T22:49:00.000+01:002018-03-13T22:49:26.226+01:00Seminario sul restauro del Salterio di San Romualdo<div class="separator" style="clear: both; text-align: center;">
<br /><a href="https://2.bp.blogspot.com/-_WFOlEym6GY/WqhG0wl3R9I/AAAAAAACf0k/Wd8Z-LXaUCIuT6Ks37KwzFYqz9a-jd2nACLcBGAs/s1600/salterio%2B%2BRomualdo%2Bultimo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="800" data-original-width="1600" height="320" src="https://2.bp.blogspot.com/-_WFOlEym6GY/WqhG0wl3R9I/AAAAAAACf0k/Wd8Z-LXaUCIuT6Ks37KwzFYqz9a-jd2nACLcBGAs/s640/salterio%2B%2BRomualdo%2Bultimo.jpg" width="640" /></a></div>
<br />Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-19863252993501270492018-03-13T22:22:00.001+01:002018-04-04T12:43:43.580+02:00Modalità seminario Pickwoad<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">L’Associazione Italiana dei Conservatori e Restauratori degli Archivi e delle Biblioteche, AICRAB,</span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> organizza venerdì 13 aprile presso la Pontificia Università Gregoriana di Roma un seminario sulla </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">storia della legatura post-medievale tenuto in lingua inglese da Nicholas Pickwoad (Professorial </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Research Fellow presso la University of the Arts di Londra e direttore del Centro di ricerca Ligatus) </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">dal titolo “From the Archive to the Booktrade: the evolution of cheap bindings for an expanding </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">market in early modern Europe”. </span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">La giornata avrà il seguente orario: </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">ore 8.45-9.30 registrazione dei partecipanti, </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">ore 9.30-12.30 e 14.00-17.00 svolgimento del seminario. </span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Verrà rilasciato un attestato di partecipazione al termine della sessione pomeridiana.</span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">La partecipazione è gratuita per i soci AICRAB in regola con la quota 2018;</span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> un contributo di euro 100,00 è richiesto ai partecipanti non iscritti all’Associazione. </span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Il rinnovo o la nuova iscrizione all’Associazione possono avvenire mediante PayPal dal sito</span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> (</span><a href="http://www.aicrab.org/diventare-socio-aicrab.html" style="text-decoration: none;"><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre;">http://www.aicrab.org/diventare-socio-aicrab.html</span></a><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">) o con bonifico sul conto corrente postale </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">intestato ad AICRAB, IBAN IT22U0760112100001013073562, specificando la causale </span><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Iscrizione </span><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">oppure</span><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Rinnovo iscrizione AICRAB 2018.</span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Il versamento del contributo di euro 100,00 per coloro che non intendano iscriversi/rinnovare </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">l'iscrizione all’Associazione può avvenire mediante bonifico sul conto corrente postale intestato ad </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">AICRAB, IBAN IT22U0760112100001013073562, specificando la causale </span><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Partecipazione seminario </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: italic; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Pickwoad 2018.</span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Per motivi organizzativi, è necessaria l’iscrizione al seminario entro il mese di marzo inviando un email </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">(oggetto: iscrizione seminario Pickwoad) all’indirizzo </span><a href="about:blank" style="text-decoration: none;"><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 700; text-decoration: none; vertical-align: baseline; white-space: pre;">info@aicrab.org</span></a><span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">, specificando nome e cognome </span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">del partecipante (fondamentale per consentirci di preparare gli attestati di partecipazione) e allegando la ricevuta dell’avvenuto versamento della quota di iscrizione/rinnovo all’Associazione o la ricevuta dell’avvenuto versamento della quota di partecipazione.</span></div>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Nell’intervallo 12.30-14.00, si svolgerà l’assemblea annuale dell’Associazione, riservata ai soci AICRAB in</span><br />
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;"> regola con l’iscrizione 2018.</span></div>
<b id="docs-internal-guid-04285d09-213f-9ebc-464d-057009eb9e53" style="font-weight: normal;"><br /></b>
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Cordialmente </span></div>
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<br />
<div dir="ltr" style="line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt;">
<span style="background-color: transparent; color: black; font-family: "calibri"; font-size: 12pt; font-style: normal; font-variant: normal; font-weight: 400; text-decoration: none; vertical-align: baseline; white-space: pre;">Melania Zanetti, presidente AICRAB</span></div>
Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-54419683268633535502018-03-12T17:27:00.001+01:002018-03-12T17:27:54.742+01:00Questionario sulla formazione del Restauratore dei beni archivistici e librari Sara Giacomel, una laureanda del corso di laurea magistrale in Archivistica e Biblioteconomia, sta scrivendo una tesi sulla formazione dei Restauratori dei Beni archivistici e librari in Italia e, se possibile, in Europa.<br />
<br />
A questo scopo vorrebbe realizzare un sondaggio per cui chiede la vostra gentile collaborazione. Qui di seguito riporto i link a due questionari, uno rivolto ai Restauratori di Beni culturali e l'altro rivolto agli studenti di Restauro che devono ancora conseguire il titolo.<br />
<br />
I questionari sono molto brevi e del tutto anonimi. Un grazie sentito a chiunque vorrà partecipare!<br /><br />
Questionario per i Restauratori: https://docs.google.com/forms/d/e/1FAIpQLScE4BP_w-0CzbALHnnZfjxa9YdizWPRgPpAR-4Rggrul6HtPQ/viewform?usp=sf_link<br /><br />
Questionario per gli studenti: https://docs.google.com/forms/d/e/1FAIpQLSeZEsITaCMULgjIknEGSfcCXq4fpfbPXkiQxJS6UE3BZeTpiQ/viewform?usp=sf_link"<br /><br />
<br /><br />
<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-43500808937802387562018-03-11T14:54:00.001+01:002018-03-11T14:54:45.832+01:00Rinnovo iscrizione e seminario di Pickwoad <p dir="ltr">Care amiche e cari amici, </p>
<p dir="ltr">ricordo a quanti di voi sono interessati alle iniziative dell’Associazione Italiana dei Conservatori e Restauratori degli Archivi e delle Biblioteche che è tempo di rinnovare l’iscrizione ad AICRAB per l’anno 2018. </p>
<p dir="ltr">Come sapete, in queste settimane stiamo anche raccogliendo le iscrizioni al seminario con Nicholas Pickwoad “From the Archive to the Booktrade: the evolution of cheap bindings for an expanding market in early modern Europe” che si svolgerà a Roma, presso la Pontificia Università Gregoriana, il prossimo 13 aprile, ore 9.30-17.00. Per le modalità di adesione e maggiori informazioni sull’organizzazione della giornata vi rimando alla comunicazione in allegato.</p>
<p dir="ltr">A prescindere da questa iniziativa, mi preme sottolineare che nel medesimo giorno e luogo dalle ore 12.30 alle 14.00 si svolgerà la nostra Assemblea annuale, alla quale sono invitati a partecipare i soci in regola con l’iscrizione 2018. </p>
<p dir="ltr">A tutte e a tutti i più cordiali saluti</p>
<p dir="ltr"> <br>
Melania Zanetti</p>
<p dir="ltr">Presidente AICRAB </p>
Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-151411017531261822018-02-20T15:32:00.001+01:002018-02-20T15:32:57.236+01:00Job opening at Duke University Libraries Conservation Lab <div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><span lang="EN-US" style="font-family: Cambria, serif; font-size: 12pt;">Duke University Libraries seeks qualified applicants for the position of Conservation Technician in the <a data-saferedirecturl="https://www.google.com/url?hl=it&q=https://library.duke.edu/about/depts/conservation/&source=gmail&ust=1519223544857000&usg=AFQjCNEbMnmDaU3A_lALDNS9Ua1ufLFMrQ" href="https://library.duke.edu/about/depts/conservation/" style="color: #1155cc;" target="_blank">Verne and Tanya Roberts Conservation Lab</a>. This position is an opportunity to work at a major ARL member library invested in the long-term care of and access to its collections. The successful candidate will demonstrate excellent hand skills, the capacity to learn new skills, customer focus, and creative problem solving. We seek candidates who will thrive in an open, engaging atmosphere that focuses on production as well as continuous learning and sharing of knowledge among staff at all levels.<u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><span lang="EN-US" style="font-family: Cambria, serif; font-size: 12pt;">Major responsibilities include treating materials primarily in the circulating collections; creating custom enclosures for both circulating and special collections; overseeing the workflow of materials from circulation points in the Perkins-Bostock Library and the branch libraries; and training and oversight of student assistants. You can see the <a data-saferedirecturl="https://www.google.com/url?hl=it&q=https://library.duke.edu/about/jobs/conservationtech&source=gmail&ust=1519223544857000&usg=AFQjCNFJscabI1J4TYHr21hDmk614IXMjw" href="https://library.duke.edu/about/jobs/conservationtech" style="color: #1155cc;" target="_blank">full position description and position requirements online.</a><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><span lang="EN-US" style="color: black; font-family: Cambria, serif; font-size: 12pt;">Duke University Libraries values diversity of thought, perspective, experience, and people, and is actively committed to a culture of inclusion and respect. </span><span lang="EN-US" style="font-family: Cambria, serif; font-size: 12pt;">Review of applications will begin immediately and will continue until the position is filled. An electronic resume, cover letter, and list of references should be submitted at: <a data-saferedirecturl="https://www.google.com/url?hl=it&q=https://hr.duke.edu/careers/apply&source=gmail&ust=1519223544857000&usg=AFQjCNHAd6dd_82abXyUldt_3Vqzsqkeog" href="https://hr.duke.edu/careers/apply" style="color: #1155cc;" target="_blank">https://hr.duke.edu/careers/<wbr></wbr>apply</a>. Refer to requisition <b># 401385532.</b><span style="color: black;"><u></u><u></u></span></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: arial, sans-serif; font-size: 12.8px;"><i><span lang="EN-US" style="font-family: Cambria, serif; font-size: 12pt;">Duke University is an Affirmative Action/Equal Opportunity Employer committed to providing employment opportunity without regard to an individual's age, color, disability, gender, gender expression, gender identity, genetic information, national origin, race, religion, sex, sexual orientation, or veteran status. Duke also makes good faith efforts to recruit, hire, and promote qualified women, minorities, individuals with disabilities, and veterans. For more information on careers at Duke University, visit <a data-saferedirecturl="https://www.google.com/url?hl=it&q=https://hr.duke.edu/careers&source=gmail&ust=1519223544857000&usg=AFQjCNEt4QnvZ6Bknb54dDsZw9L6a4jH2Q" href="https://hr.duke.edu/careers" style="color: #1155cc;" target="_blank">https://hr.duke.edu/careers</a>.</span></i></div><br /><br />
<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-24948202940751674112018-02-20T15:31:00.001+01:002018-02-20T15:31:45.497+01:00Conservation Fellowship - Northwestern University Libraries<div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;">Position: Conservation Fellowship<u></u><u></u></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">Department: Preservation</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">Reports to: Special Collections Conservator</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="m_8888795346031943662gmail-msoplaintext" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt;"><span style="font-size: 11pt;">Job Opening ID: 33053</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">Northwestern University Libraries offer an advanced post-graduate conservation fellowship for a two-year appointment, September 1, 2018 - August 31, 2020. The conservation fellowship provides practical experience in a busy academic library conservation lab balancing treatment responsibilities with professional research activities. There will be the opportunity to gain bench experience, develop skills in treatment decision making, and research a topic of interest. </span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">Northwestern University, established in 1851, is one of the leading private research universities in the United States with an enrollment of approximately 15,800 students. Northwestern University Libraries hold over 5 million volumes with collections of international standing in Music, Transportation, and African Studies. The Libraries’ conservation lab is located on the Evanston, Illinois campus just north of Chicago. </span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><b><span style="font-size: 11pt;">Description of Duties: </span></b><span style="font-size: 11pt;">Working under the supervision of the Special Collection Conservator, the Conservation Fellow evaluates and treats<b> </b>special collections materials.<b> </b> The Conservation Fellow performs a broad range of conservation<b> </b>treatments on rare books, manuscripts, prints, drawings, maps,<b> </b>and other unbound archival and special collections materials. Treatment includes the preparation of<b> </b>condition and treatment reports with an appropriate level of<b> </b>photo documentation. Anticipated projects for 2018-2020 include treatment of a William Blake book, Stjopka Collages, and a collection of caricatures related to the Siege of Paris (1870-1871). </span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">The Conservation Fellow stays current with new developments in the field of library conservation and conducts research related to an area of interest. Topics may include treatment techniques, materials identification, or historical studies. Research should be of a quality that could result in a paper, poster, or presentation.</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">The Conservation Fellow may assist other professional staff in the department with surveys, preservation education and outreach initiatives, exhibits-related projects, and disaster response initiatives.</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-bottom: 12pt; margin-left: 0cm; margin-right: 0cm;"><b><span style="font-size: 11pt;">Qualifications:</span></b><span style="font-size: 11pt;"> Master's degree in library science or associated field, with an emphasis on conservation training, or equivalent combination of education and relevant experience. Knowledge of current conservation principles and practices, material science, and the history of bookbinding and conservation. Demonstrated ability to perform high-quality conservation treatments on special collections materials, primarily book and paper, and to communicate effectively about treatment options and decisions. </span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><b><span style="font-size: 11pt;">Salary:</span></b><span style="font-size: 11pt;"> Annual stipend of $48,000 plus benefits. Northwestern University offers a comprehensive benefits plan, including health care and other benefits.</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><b><span style="font-size: 11pt;">To apply:</span></b><span style="font-size: 11pt;"> Applicants should submit a cover letter, resume, and the names of three references, to</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="m_8888795346031943662gmail-msoplaintext" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt;"><br /></div><div class="m_8888795346031943662gmail-msoplaintext" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt;"><span style="font-size: 11pt;"><a data-saferedirecturl="https://www.google.com/url?hl=it&q=https://facultyrecruiting.northwestern.edu&source=gmail&ust=1519223432935000&usg=AFQjCNH1Sr1nLu345uYiuSTzQB6xNmNzQA" href="https://facultyrecruiting.northwestern.edu/" style="color: #1155cc;" target="_blank"><span style="color: #0563c1;">https://facultyrecruiting.<wbr></wbr>northwestern.edu</span></a></span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">Job opening identification number is 33053. Review of applications will begin immediately and continue until the position is filled. Applicants selected for an interview will be asked to submit a portfolio of recent conservation treatments.</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><span style="font-size: 11pt;">Northwestern University is an Equal Opportunity/Affirmative Action Employer. Employment eligibility verification is required upon hire.</span><span style="font-family: Calibri, sans-serif; font-size: 11pt;"><u></u><u></u></span></div><div class="MsoNormal" style="background-color: white; color: #222222; font-family: "Times New Roman", serif; font-size: 12pt; margin-left: 0cm; margin-right: 0cm;"><br /></div>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-6768945058167726382018-02-20T15:30:00.001+01:002018-02-20T15:30:10.211+01:00Digitising books as objects: The invisible made visible - Collection Care blog "Digitising books as objects: The invisible made visible<br />
Book conservator Flavio Marzo explores how the experience for users of online library material surrogates could be easily improved by enhancing invisible physical features of books.<br />
<br />
Working as a book conservator within digitisation projects has been my job for many years. I started in 2006, only one year after joining the British Library Conservation team here in London after leaving my country, Italy."<br /><br />
read more...<br /><br />
<a href="http://blogs.bl.uk/collectioncare/2018/02/digitising-books-as-objects-the-invisible-made-visible.html?_ga=2.49836966.1091364419.1519060945-1207372009.1518796091">Digitising books as objects: The invisible made visible - Collection Care blog</a>:<br /><br />
<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-66759992322638780072018-02-19T15:27:00.001+01:002018-02-19T15:27:34.977+01:00Nicholas Hadgraft Scholarship<a href="http://www.conservation-by-design.com/home.aspx?pagename=scholarships">-</a>: "In remembrance of Dr Nicholas Hadgraft, a dear friend of Conservation By Design Limited we decided to offer an annual "Nicholas Hadgraft Scholarship". The scholarship is an award of £1,500 towards the cost of attending the Montefiascone Book Conservation Summer School held each year in the Medieval Hill Town of Montefiascone. <br />
"<br /><br />
apply here http://www.conservation-by-design.com/home.aspx?pagename=scholarships<br /><br />
<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-72457483194772926772018-02-14T14:53:00.001+01:002018-02-14T14:53:12.562+01:00First Aid to Cultural Heritage in Times of Crisis (FAC) | ICCROM<a href="https://www.iccrom.org/section/disaster-resilient-heritage/first-aid-cultural-heritage-times-crisis-fac">First Aid to Cultural Heritage in Times of Crisis (FAC) | ICCROM</a>: "<br /><br />
<div class="row" style="-webkit-box-direction: normal; -webkit-box-flex: 0; -webkit-box-orient: horizontal; background-color: white; box-sizing: border-box; color: #444444; display: flex; flex-flow: row wrap; flex: 0 1 auto; font-family: Raleway, sans-serif; font-size: 16px; margin-left: -0.5rem; margin-right: -0.5rem;"><div class="col-xs-12 contextual-region" style="-webkit-box-flex: 0; box-sizing: border-box; flex: 0 0 100%; max-width: 100%; padding-left: 0.5rem; padding-right: 0.5rem;"><h1 style="font-size: 2.5em; font-weight: 300; line-height: 1em; margin: 30px 0px 20px;">First Aid to Cultural Heritage in Times of Crisis (FAC)</h1></div></div><div class="row" style="-webkit-box-direction: normal; -webkit-box-flex: 0; -webkit-box-orient: horizontal; background-color: white; box-sizing: border-box; color: #444444; display: flex; flex-flow: row wrap; flex: 0 1 auto; font-family: Raleway, sans-serif; font-size: 16px; margin-left: -0.5rem; margin-right: -0.5rem;"><div class="col-xs-12" style="-webkit-box-flex: 0; box-sizing: border-box; flex: 0 0 100%; max-width: 100%; padding-left: 0.5rem; padding-right: 0.5rem;"><br /><br />
<article class="embedded-entity align-right" style="float: right; padding-bottom: 20px; padding-left: 30px;"></article><br /><br />
Large-scale natural disasters and protracted conflicts lead to multifaceted humanitarian crises. Protecting cultural heritage under such circumstances is challenging. Yet amidst turmoil and anguish, the affected communities strive to safeguard their cultural heritage, as it provides them with a thread of continuity.<br /><br />
Aimed at strengthening local capacities for <a href="https://www.iccrom.org/sites/default/files/1_FAC-2016_Framework-document.pdf" style="backface-visibility: hidden; color: #b38733; text-decoration-line: none; transform: translateZ(0px); transition-duration: 0.2s; transition-property: color, background-color;" target="_blank">first aid</a> (a set of interconnected emergency response procedures aimed at recovery) for cultural heritage during complex emergencies, the FAC initiative combines immersive international training with regional and national workshops, technical assistance during large-scale emergencies, with inputs from other emergency actors such as the civil defence, military and humanitarian sectors. The goal is to ensure that the affected communities are fully involved in the recovery of their own heritage.</div></div><br /><br />
<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-37826802671129675082018-01-09T15:36:00.001+01:002018-01-09T15:36:59.647+01:00BNCF - Attività di restauro volumi<a href="http://www.bncf.firenze.sbn.it/notizia.php?id=1668">BNCF - Attività di restauro volumi</a>:<br /><br />
<br /><br />
"Avviso di selezione tirocini non curriculari<br />
Attività di restauro volumi<br />
AVVISO PUBBLICO DI SELEZIONE PER L’ATTIVAZIONE DI N. 3 TIROCINI NON CURRICULARI PRESSO LA BNCF<br />
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La Biblioteca Nazionale Centrale di Firenze intende attivare n.3 tirocini non curriculari, finalizzati ad agevolare le scelte professionali mediante la conoscenza diretta del mondo del lavoro quale esperienza formativa orientativa o professionalizzante, non costituente rapporto di lavoro.<br />
Il tirocinio ha per oggetto il restauro con smontaggio e senza smontaggio di volumi antichi e moderni. La domanda di ammissione alla selezione (candidatura all’offerta) dovrà essere effettuata tramite il portale del Centro per l’Impiego di Firenze consultando la sezione offerte di lavoro e compilando il modulo on line, previa registrazione, entro 21 giorni dalla data di pubblicazione dell’offerta di tirocinio<br />
La Direzione<br />
<br />
<br /><br />
<br /><br />
BANDO<br />
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Per registrarsi ed effettuare la domanda di ammissione collegarsi a: http://idolweb.cittametropolitana.fi.it<br />
<br />
Nello spazio cittadini, selezionare la voce Cerca tra le offerte di lavoro poi nella maschera successiva Visualizza Offerte di lavoro pubblicate per, scegliere TIPO CONTRATTO e successivamente visualizzare TIROCINIO<br />
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doc. n. 2000 del 08/01/2018<br />
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<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-35688288536257053642017-10-01T14:13:00.001+02:002017-10-01T14:13:27.415+02:00Eccone un'altro<p dir="ltr">Colgo l'occasione dell'ennesimo corso in dieci lezioni, in questo caso tenuto da un architetto, per tornare a far riflettere su quanto questo sia un segnale di mancanza di professionalità. Vediamo altri corsi così brevi di restauro di dipinti o arazzi? <br>
No perché quelli sono beni culturali veri, non come i libri e i documenti, che lo sono solo sì per legge, ma non nel pubblico immaginario. <br>
E allora che possiamo fare? <br>
Beh intanto smettere di ospitarli, smettere di andare a insegnarci e evitare che il fai da te e il pressappochismo prendano il sopravvento. </p>
<p dir="ltr">Male, andiamo male. <br><br></p>
<p dir="ltr">http://www.lastampa.it/2017/09/29/edizioni/alessandria/un-corso-per-imparare-a-restaurare-libri-antichi-pGytF45jr3okai3dKjPInL/premium.html</p>
Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-51083791450652337522017-09-23T21:42:00.001+02:002017-09-23T21:42:49.818+02:00Bevel boards <p dir="ltr">https://www.elbel-libro.com/pages/beveled-boards<br>
Un interessante articolo sull'uso di tagliare i cartoni a 45 gradi, per creare giunzioni perfette. </p>
Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com1tag:blogger.com,1999:blog-19891498.post-12153451175175655092017-06-16T14:24:00.001+02:002017-06-16T14:24:54.439+02:00Washing a Book – BYU Conservators<header class="entry-header" style="box-sizing: border-box; color: #6e757c; font-family: "Fira Sans", sans-serif; font-size: 16px; text-align: center;"><h1 class="entry-title" style="box-sizing: border-box; color: #323a41; font-family: Montserrat, sans-serif; font-size: 36px; line-height: 1.1; margin: 0px 0px 30px;">Washing a Book</h1><div class="entry-meta" style="box-sizing: border-box; color: #9ca6b0; font-style: italic;"><span class="posted-on" style="box-sizing: border-box;">Posted on <a href="http://conservators.byu.edu/conservationprojects/washing-a-book/" rel="bookmark" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; box-sizing: border-box; color: #9ca6b0; text-decoration-line: none;"><time class="entry-date published updated" datetime="2017-05-30T22:11:22+00:00" style="box-sizing: border-box;">May 30, 2017</time></a></span><span class="byline" style="box-sizing: border-box; display: inline;"> by <span class="author vcard" style="box-sizing: border-box;"><a class="url fn n" href="http://conservators.byu.edu/author/admin/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; box-sizing: border-box; color: #9ca6b0; text-decoration-line: none;">the Conservators</a></span></span></div></header><div class="entry-content" style="box-sizing: border-box; color: #6e757c; font-family: "Fira Sans", sans-serif; font-size: 16px; margin: 30px 0px;"><div style="box-sizing: border-box; margin-bottom: 10px;">I was recently asked to conserve an 1864 copy of <em style="box-sizing: border-box;">The Latter-Day Saint’s Selection of Hymns</em> from the Reorganized Church of Jesus Christ of Latter Day Saints. The book was in rough shape and the pages were stained throughout. However, the sewing in the textblock was sound and I didn’t want to disrupt that to wash the paper.</div><figure class="wp-caption alignnone" id="attachment_72" style="box-sizing: border-box; margin: 0px 0px 1.5em; max-width: 100%; width: 300px;">click for more... <a href="http://conservators.byu.edu/conservationprojects/washing-a-book/?utm_content=social-uh74b&utm_medium=social&utm_source=SocialMedia&utm_campaign=SocialPilot">Washing a Book – BYU Conservators</a></figure></div>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-61550919646622382132017-06-09T14:20:00.001+02:002017-06-09T14:20:38.348+02:00Paper Conservator (maternity cover) Bodleian Libraries, Conservation and Collection Care, Weston Library, Broad Street, Oxford<div class="erq_search_head" style="background: url("/coreimages/erecruit/oxford/images/erq_search_head.gif") right top no-repeat scroll rgb(255, 255, 255); color: #002147; font-family: "Trebuchet MS", Helvetica, Arial, sans-serif; font-size: 1.7em; font-stretch: normal; line-height: 1.5; width: 700px;"><br /></div><form action="https://www.recruit.ox.ac.uk/pls/hrisliverecruit/erq_jobspec_details_form.process_record" method="post" name="ecoreJobSpecificationForm" style="background-color: white; text-align: -webkit-center;"><table align="center" cellpadding="0" cellspacing="0" class="erq_table_no_top_border" style="border-color: rgb(255, 255, 255); border-style: solid; border-width: 1px; margin-left: auto; margin-right: auto; padding: 0px; width: 700pxpx;"><tbody>
<tr style="vertical-align: top;"><td class="erq_searchv4_jobspec_row" style="background-color: #fffffa; margin: 0px; padding-bottom: 5px; padding-top: 3px; width: 700px;"><table cellpadding="0" cellspacing="0" style="margin-left: auto; margin-right: auto; padding: 0px;"><tbody>
<tr style="vertical-align: top;"><td class="erq_searchv4_heading1" colspan="4" style="color: #002147; font-family: "Trebuchet MS", Helvetica, Arial, sans-serif; font-size: 12pt; font-weight: bold; margin: 0px; padding-bottom: 0px; padding-right: 5px; padding-top: 0px; width: 480px;">Paper Conservator (maternity cover)</td></tr>
<tr style="vertical-align: top;"><td class="erq_searchv4_heading2" colspan="4" style="font-family: verdana, tahoma, arial, sans-serif; font-size: 8pt; font-weight: bold; margin: 0px; padding-bottom: 4px; padding-top: 4px;">Bodleian Libraries, Conservation and Collection Care, Weston Library, Broad Street, Oxford</td></tr>
<tr style="vertical-align: top;"><td class="erq_searchv4_heading3" colspan="4" style="font-family: verdana, tahoma, arial, sans-serif; font-size: 8pt; margin: 0px; padding-bottom: 10px; padding-top: 4px;">Grade 6: £27,629 - £32,958 p.a.</td></tr>
<tr style="vertical-align: top;"><td class="erq_searchv4_heading3" colspan="4" style="font-family: verdana, tahoma, arial, sans-serif; font-size: 8pt; margin: 0px; padding-bottom: 10px; padding-top: 4px;">The Bodleian Libraries are looking for an experienced Paper Conservator to join the Conservation and Collection Care Department, based in the Weston Library. The department has 19 members of staff including book, paper and preventive conservators working to preserve, stabilise and improve access to the Bodleian Libraries' collections through preventive activities, interventive treatments, research, and by supporting an ongoing exhibitions programme.<br /><br />
You will be required to undertake conservation treatments on the Libraries’ rich and varied Special Collections, primarily treating works on paper. You will also assist in the preparation and mounting of materials for exhibitions and participate in promoting the work of the department.<br /><br />
With a recognised qualification in the conservation of paper or related materials, or equivalent training and experience, you will also have detailed knowledge and experience of high level paper conservation treatments and a broad knowledge of collection care activities. You will have excellent written and verbal communication skills and the ability to gather, analyse and present information clearly for different audiences. You will need a flexible approach to work, excellent inter-personal skills and the ability to work independently and as part of a team.<br /><br />
This is a full-time, fixed-term (maternity cover) post for approximately 6 months.<br /><br />
Owing to the nature of this post, the successful candidate will be required to undertake a Disclosure Scotland check as well as a financial background check. The possession of a criminal record or poor financial background will not necessarily prevent an applicant from obtaining this post, as all cases are judged individually according to the nature of the role and information provided.<br /><br />
This post is part of a pilot scheme testing a new Supporting Evidence Form in place of the more usual ‘supporting statement’. You MUST submit a completed Supporting Evidence Form in order for your application to be processed. Covering letters, supporting statements and CVs will NOT form part of the selection process. Please ensure that you carefully read the How to Apply section provided in the Job Description, which you can download below along with the required Supporting Evidence Form.<br /><br />
Only applications received online by 12.00 midday on Wednesday 21 June 2017 can be considered. Interviews are expected to take place Wednesday 5 or Thursday 6 July 2017.</td></tr>
</tbody></table></td></tr>
</tbody></table></form><a href="https://www.recruit.ox.ac.uk/pls/hrisliverecruit/erq_jobspec_version_4.display_form">Job Details</a>:Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-88787115284598544402017-05-11T14:30:00.002+02:002017-05-11T14:30:25.116+02:00Memories of Chris Clarkson | The Book & Paper GatheringQuesta volta presento anche qualcosa di mio ho pubblicato insieme a Bernard Allen una piccola riflessione su Chris come insegnante<br />
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"Memories of Chris Clarkson<br />
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Posted on Thursday 11th May, 2017 by thebookandpapergathering<br />
“Haven’t you heard of the Stanley 99E?” With this question and its accompanying gesture (and tad naughty smile), Christopher Clarkson once plainly dismissed the arguably decent utility knife I was offering him to take a sample of leather from a full skin. This anecdote may give an idea of how, for Mr Clarkson, nothing but the best was good enough when it came to his professional practice and its means.<br />
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Christopher Clarkson, “the pre-eminent conservator of medieval manuscripts and early printed books” as Nicholas Pickwoad describes him in his obituary, passed away on 31 March. Here, a former student and a former colleague share their reflections on Chris’ attitude towards his life and craft, and how the former was devoted to the quest for excellence in the latter. Salvador Alcántara Peláez, The Gathering"<br />
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Read more...<br />
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<a href="https://thebookandpapergathering.org/2017/05/11/memories-of-chris-clarkson/">Memories of Chris Clarkson | The Book & Paper Gathering</a>:<br />
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<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-89965169147532837762017-05-10T15:20:00.001+02:002017-05-10T15:20:24.451+02:00Journal of Paper Conservation special issue in memory of Christopher Clarkson - call for papers - alesido@gmail.com - Gmail<div>Journal of Paper Conservation special issue in memory of Christopher Clarkson - call for papers</div><div><br /></div><div>Christopher Clarkson, pre-eminent conservator, scholar of the book and educator in the field has passed away on Thursday March 30th, 2017. IADA would like to dedicate a special issue of the Journal of Paper Conservation to Clarkson and his work.</div><div><br /></div><div>We would like to acknowledge and commemorate Clarkson’s scholarly and innovative contributions to the conservation of medieval manuscripts, early printed books and his deep knowledge in history of book-bindings. All members of the conservation community and associated fields who have worked or</div><div>trained with Clarkson or have been inspired by his influential work are invited to submit papers relating to his research and practice, as well as recollections of mutual projects and experiences. Past unpublished interviews and seminal writings by Clarkson would also be welcome.</div><div><br /></div><div>For any queries please contact special guest editor Rhea DeStefano: rheadestefano_at_gmail.com</div><div>Submissions should be emailed to: jpc.submission_at_iada-home.org</div><div>Deadline for submission 15 July 2017</div>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-88208024411037167742017-05-10T09:39:00.001+02:002017-05-10T09:39:36.427+02:00Ligatus Summer School 2017 | Ligatus Summer School<h1 class="page__title title" id="page-title" style="background-color: #c5dece; color: #666666; font-family: Ubuntu; line-height: 1.5em; margin: 0px;">Ligatus Summer School 2017</h1><article class="node-473 node node-course-announcement node-promoted view-mode-full clearfix" style="background-color: #c5dece; color: #666666; font-family: Ubuntu; font-size: 16px;"><div class="field field-name-field-apply field-type-list-text field-label-hidden"><div class="field-items"><div class="field-item even">Apply online by clicking <a href="http://www.ligatus.org.uk/summerschool/node/add/application" style="border-bottom: 1px dotted; color: #3d5899; text-decoration-line: none;">here</a>.</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><div style="margin-bottom: 0.75em; margin-top: 0.75em;">25-29 September 2017 and 2-6 October 2017</div><div style="margin-bottom: 0.75em; margin-top: 0.75em;">The Ligatus Summer School is to be hosted this year in <strong>Norwich, UK,</strong> by the <strong>Cathedral Library</strong>, located on the upper floor of the north range of the cloister. The historic collections contain the Dean and Chapter’s Library of mostly printed books from the fifteenth century onwards, augmented by the long-term deposit of the parish libraries of Swaffham, given to Swaffham Parish church by the family of the historian Henry Spelman in the early eighteenth century and that of Great Yarmouth, with a significant collection of 16th and 17th-century books.</div><div style="margin-bottom: 0.75em; margin-top: 0.75em;">The classes will be held within the historic library itself, and in the first week there will be in addition a one-day visit to Cambridge University Library to examine a selection of Byzantine and Islamic bindings and in the second week visits to the National Trust libraries at Blickling Hall and Felbrigg Hall. Blickling Hall houses the collection of the bibliophile and scholar Sir Richard Ellys (died 1742), the finest library in the National Trust portfolio and a library of international importance, with finely bound copies of books from the fifteenth century until Ellys’s death, with some later additions. Felbrigg Hall, the sixteenth-century home of the Wyndham family has an outstanding collection of books accumulated by the family over three centuries.</div></div></div></div></article>click here for more... <a href="http://www.ligatus.org.uk/summerschool/node/473">Ligatus Summer School 2017 | Ligatus Summer School</a>: <br /><br />
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<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0tag:blogger.com,1999:blog-19891498.post-58864793945843792762017-05-08T14:29:00.001+02:002017-05-08T14:29:46.781+02:00BNCF - ATTIVAZIONE DI N. 2 TIROCINI NON CURRICULARI per restauro di volumi antichi e moderniAttenzione la scadenza è a breve<br /><br />
<br /><br />
"AVVISO PUBBLICO DI SELEZIONE PER L’ATTIVAZIONE DI N. 2 TIROCINI NON CURRICULARI PRESSO LA BNCF<br />
<br />
La Biblioteca Nazionale Centrale di Firenze intende attivare n. 2 tirocini non curriculari, finalizzati ad agevolare le scelte professionali mediante la conoscenza diretta del mondo del lavoro quale esperienza formativa orientativa o professionalizzante, non costituente rapporto di lavoro.<br />
Il tirocinio ha per oggetto il restauro con smontaggio e senza smontaggio di volumi antichi e moderni. La domanda di ammissione alla selezione (candidatura all’offerta) dovrà essere effettuata tramite il portale del Centro per l’Impiego di Firenze consultando la sezione offerte di lavoro e compilando il modulo on line, previa registrazione, entro 21 giorni dalla data di pubblicazione dell’offerta di tirocinio<br /><br />
<br /><br />
cliccare per maggiori informazioni <a href="http://www.bncf.firenze.sbn.it/notizia.php?id=1583">BNCF - per restauro di volumi antichi e moderni</a>:<br /><br />
<a href="https://chrome.google.com/webstore/detail/pengoopmcjnbflcjbmoeodbmoflcgjlk" style="font-size: 13px;">'via Blog this'</a>Alessandro Sidotihttp://www.blogger.com/profile/00074213561345520997noreply@blogger.com0