UAL awards Chris Clarkson an Honourary Doctorate | Ligatus

Finalmente una bella notizia

 It is with great pleasure that we can record that Christopher Clarkson was awarded an Honorary Doctorate on 16 July by the University of the Arts London, in recognition of his extraordinary contribution to the conservation of parchment and paper manuscripts, early printed books and book-bindings. It was an occasion on which to remember his first contact with the then independent Camberwell College of Arts and Crafts as a 13-year-old schoolboy and to mark his continuing dedication to the education of young conservators not only in the United Kingdom but across the world. In doing so he has kept alive and carried on the work of Sidney (“Sandy”) Cockerell and Roger Powell, taking his skills to the Library of Congress, the Walters Art Gallery and the Bodleian Library, amongst other institutions. He was heavily involved in such events such as the rescue of the flooded libraries in Florence in 1966 and the repair of such famous material as the Codex Sinaiticus and the Hereford Mappa Mundi.
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For more details of his career, see: http://www.clarksonconservation.com/profile.html

http://www.youtube.com/watch?v=_F7NKNWWEuQ&feature=player_embedded

The Egyptian Heritage Rescue Team (EHRT) is up and running! - Culture Conflict and Cooperation

The Egyptian Heritage Rescue Team (EHRT) is up and running! - Culture Conflict and Cooperation: "
The Egyptian Heritage Rescue Team (EHRT) is up and running!
07/12/20120 Comments
 


The 28th of June in Cairo took place a cerimony to award to 29 Egyptian heritage professionals the qualification of 'First Aiders to Cultural Heritage'. This two weeks course was payable tanks to the professional engagement and good will of the Egyptian  archeologist AbdelHamid Salah Esherif who was one of the participants to the last year ICCROM course on First Aid to Cultural Heritage in Times of Conflict. 
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Treatment trials | The Great Parchment Book

Treatment trials

Posted on 13 July 2012

Creased new parchment

Twelve samples of new parchment, which had been scrunched up and creases folded in, were tested to compare plain water against a water/ethanol solution, local humidification against full humidification, and different tension controlled drying methods (suction table, pegging out and magnets).

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Understanding Parchment Manuscripts and Book Archaeology Horn 17-18 Nov, 2012 Lecturer: Ines Correia

Understanding Parchment Manuscripts and Book Archaeology
Horn
17-18 Nov, 2012

Lecturer: Ines Correia

Archaeological approach to manuscripts has become an important
matter during conservation treatments, especially when we are
dealing with parchment codices and historical bookbindings full of
macroscopic evidences sometimes described as deterioration.

Production and reception marks are valuable contribution to build
documents uniqueness, to complement manuscripts studies and to
promote future disclosures and material preservation.

Lecturer:

    In 1996 Ines Correia begun to work with paper and book
    conservation, first at the Lisbon National Library and the
    National Archive of Torre do Tombo. As conservator, developed
    several technical approaches, researches and practice with
    Incunabula, prints, paper and parchment manuscripts and
    historical bookbinding. She has been also responsible for
    specific training on preservation and conservation since 1999.
    In 1997 and 2001 Ines Correia was sponsored by the Portuguese
    Orient Foundation to make survey, research and training in
    preservation in Goa, India. In 2002 she had contacted with the
    Fez and Rabat librarians (Morocco) and attended to survey major
    problems about documents decay in order to elaborate a
    preservation priority plan; in 2007 integrated a working group
    to project a Conservation-Lab to serve Abu Dhabi Archives and
    participated in the Spring campaign to manuscript conservation
    in a Coptic Monastery (Egypt), supported by The Levantine
    Foundation. Since 2008, usually integrates conservation networks
    as technical consultant of Medieval Codex research and recovery.

    At the present time, she is a PhD Researcher and Senior Book
    Conservator from the Conservation Department at The National
    Archive - Torre do Tombo/Portugal.

The courses fee is 220.00 Euros plus 10% VAT. Accommodation for one
night in the Renaissance building is included. The rooms are
equipped with a bathroom and toilet. A kitchen can be used to
prepare own meals, a supermarket is across the street. The school
can be reached from the rooms via a corridor, rooms and school are
in one building.

Participation: Paper/parchment/book conservators, graduated students
or medieval manuscripts researchers

Number of participants is limited to 8.


Registration:

    http://www.buchstadt.at/Manuscript-Archaeology-a-step-into-manuscripts.165.0.html?&L=3>

LinkedIn: Senior Page - Collections Care Unit at New York Public Library in Long Island City, NY 11106 Us

LinkedIn: Senior Page - Collections Care Unit at New York Public Library in Long Island City, NY 11106 Us

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Senior Page - Collections Care Unit Job ID:  2012-6896 # of Openings Remaining:  1 Location:  US-NY-Long Island City Type:  Hourly Department:  PCC, Tec Svc Pres Div Coll CareUnit Apply for this job: Apply for this job online Position Description: External Overview: This position will be scheduled for 15 hours per week during regular business hours and is temporary through 6/30/2013. External Responsibilities: Under the supervision of the Collections Care Conservator, the Senior Page: Assembles machine-produced protective enclosures Sorts enclosures and packs for shipment to the shelf Measures collection materials for enclosures Inserts material in enclosures and shelves enclosures Determines appropriate bibliographic information for materials and inputs data into online form Retrieves and returns material for the Collections Care Lab Cleans collections materials Assists with basic material mending projects, including paper mending, tipping in pages or errata slips, creating pockets for accompanying materials, opening uncut pages, or creating protective covers using the Colibri covering system Performs other related duties as required External Qualifications: Current enrollment in an approved degree program at an accredited educational institution  Demonstrated ability to work with a team and on independent projects Good interpersonal and communication skills Strong organizational skills, including the ability to alphabetize and file Demonstrated flexibility and reliability Demonstrated computer skills, including the Internet and Microsoft Office programs preferred Go Back to the Search Opportunities Page Need further assistance? Applicant Tracking Software *****

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LinkedIn: Head Conservator at Yale University in New Haven, CT 06511 Us

LinkedIn: Head Conservator at Yale University in New Haven, CT 06511 Us

Home Search openings Search results Job details     Help Job details   Job 1 of 1 Original Posting Date 22-Jun-2012 STARS Requisition number 17498BR Department British Art Ctr University Job Title Head Conservator Posting Position Title Head Paper Conservator Bargaining Unit None Job Category Managerial & Professional Type of Employment Full Time Duration Type Regular Salary Grade 25 Work Location Central Campus Worksite Address 1080 Chapel St Work Week Standard - 37.5 hrs (M-F, 8:30-5:00) Job Summary Leads media-specific conservation laboratory which includes developing preservation policies, staffing, and budgeting. Manages and executes conservation treatments to preserve, protect, and guarantee the survival and future accessibility of artistic, cultural objects in accordance with an accepted, professional ethical code, such as the American Institute for Conservation’s Code of Ethics and Guidelines for Practice. Departmental Focus: Reporting to the Chief Conservator of the Yale Center for British Art (YCBA), leads the Paper Conservation Laboratory, develops preservation policies, and undertakes conservation treatments for the YCBA’s rich collections of works on paper, rare books, manuscripts, photographs, and miniatures. This role provides a comprehensive conservation service for the permanent collection and supports the institution’s extensive exhibitions program, support, foster, and implements research, including for interdisciplinary projects, and teach University students at all levels through classes, lectures, and laboratory workshops. In concert with the Chief Conservator for the Yale University Art Gallery (YUAG), this individual also oversees the conservation of works on paper for the YUAG with a percentage of time allotted to this administrative process. Please direct all inquiries to Mark Aronson, Chief Conservator (mark.aronson@yale.edu). Application deadline: 9/30/12. Department URL Address: Click here for more information Principal Responsibilities 1. Works closely with the Chief Conservator to formulate, develop, and implement conservation and preservation treatments, programs, and policies. Represent the Conservation Department in the Chief Conservator’s absence. 2. Develops a long range philosophy and strategy for conservation treatment, collaborative research and teaching in all areas of the relevant collections in collaboration with staff. 3. Works with the Chief Conservator to coordinate collaborative research and analysis, implement treatments, create and maintain conservation documentation. 4. Manages a conservation department including planning budgets, supply and equipment inventory, coordinating contract work, and mediating any intra-departmental issues; pursues grants and other sources of funding. 5. Undertakes treatments and develops new methodologies for conservation and sustainable preservation; undertakes research in materials and techniques, including new methods of scientific research, disseminating research results through publications, presentations, conferences and workshops. 6. Identifies and diagnoses problems, approves conservation methods which ensure the safety of the objects. Assesses and approves alternative and/or modify conservation methods to achieve desired results. 7. Ensures accurate written and photographic documentation for conservation examinations, treatments and other activities. Leads research necessary to preserve collections and ensure deterioration of collections is monitored and controlled. 8. Advises on problems associated with environmental control, climate control, and light levels in storage and other areas of the museum or library. 9. Sets conservation priorities for collections and/or individual projects; for the care and physical well-being of collections. Assists in planning strategies for collection care. 10. Examines objects prior to acquisition and advises on authenticity and condition in collaboration with Chief Conservator, curators and other relevant experts. 11. Leads staff, visiting scholars, researchers and students in examination and conservation techniques. 12. Manages a staff of exempt and non-exempt employees and/or students to ensure that conservation standards are followed across the collection. 13. Oversees safe use and disposal of hazardous materials in accordance with current federal, state, and local regulations and policies. 14. Contributes to the field and profession through teaching, publishing, and presenting at national and international conferences. 15. May perform other duties as assigned. Required Education and Experience Master’s Degree in Art, Museum and/or Library/Archives Conservation, Materials Science, or related field. Five years of advanced conservation experience or equivalent combination of education and experience. Required Skill/Ability 1: Proven skill in practical conservation methods related to works on paper and a working knowledge of examination and analytical research tools. Proven ability to perform successful treatments. Required Skill/Ability 2: Demonstrated ability to lead others through strong supervisory and organizational skills. Ability to support, foster and encourage the personal development of departmental staff. Outstanding interpersonal skills. Required Skill/Ability 3: Demonstrated ability to manage a conservation facility/laboratory, including workflow, treatment priorities, and to combine long-range planning and productive short-term management. Required Skill/Ability 4: Proven skill in caring for a major collection and undertaking complex conservation procedures. Demonstrated knowledge of research, methods of conservation, and the history of artists’ materials and techniques. Required Skill/Ability 5: Demonstrated ability to work with modern conservation documentation and materials. Preferred Education, Experience and Skills: 1. 10 years of advanced conservation experience with specialized expertise in the conservation of works on paper. 2. Experience with British art and art history. 3. Current understanding of digital conservation technologies and documentation. Weekend Hours Required? No Evening Hours Required? Occasional Drug Screen No Health Screening No Background Check Requirements All external candidates for employment will be subject to pre-employment background screening for this position, which may include motor vehicle and credit checks based on the position description and job requirements. Internal candidates may be subject to a motor vehicle or credit check for this position based on the position description and job requirements. All offers are contingent on successful completion of the required background check. Please visit www.yale.edu/hronline/careers/screening/faqs.html for additional information on the background check requirements and process. Posting Disclaimer The intent of this job description is to provide a representative summary of the essential functions that will be required of the position and should not be construed as a declaration of specific duties and responsibilities of the particular position. Employees will be assigned specific job-related duties through their hiring departments.

LinkedIn: Head Paper Conservator at Yale University in New Haven, CT 06511 Us

LinkedIn: Head Paper Conservator at Yale University in New Haven, CT 06511 Us

Home Search openings Search results Job details     Help Job details   Job 1 of 1 Original Posting Date 22-Jun-2012 STARS Requisition number 17498BR Department British Art Ctr University Job Title Head Conservator Posting Position Title Head Paper Conservator Bargaining Unit None Job Category Managerial & Professional Type of Employment Full Time Duration Type Regular Salary Grade 25 Work Location Central Campus Worksite Address 1080 Chapel St Work Week Standard - 37.5 hrs (M-F, 8:30-5:00) Job Summary Leads media-specific conservation laboratory which includes developing preservation policies, staffing, and budgeting. Manages and executes conservation treatments to preserve, protect, and guarantee the survival and future accessibility of artistic, cultural objects in accordance with an accepted, professional ethical code, such as the American Institute for Conservation’s Code of Ethics and Guidelines for Practice. Departmental Focus: Reporting to the Chief Conservator of the Yale Center for British Art (YCBA), leads the Paper Conservation Laboratory, develops preservation policies, and undertakes conservation treatments for the YCBA’s rich collections of works on paper, rare books, manuscripts, photographs, and miniatures. This role provides a comprehensive conservation service for the permanent collection and supports the institution’s extensive exhibitions program, support, foster, and implements research, including for interdisciplinary projects, and teach University students at all levels through classes, lectures, and laboratory workshops. In concert with the Chief Conservator for the Yale University Art Gallery (YUAG), this individual also oversees the conservation of works on paper for the YUAG with a percentage of time allotted to this administrative process. Please direct all inquiries to Mark Aronson, Chief Conservator (mark.aronson@yale.edu). Application deadline: 9/30/12. Department URL Address: Click here for more information Principal Responsibilities 1. Works closely with the Chief Conservator to formulate, develop, and implement conservation and preservation treatments, programs, and policies. Represent the Conservation Department in the Chief Conservator’s absence. 2. Develops a long range philosophy and strategy for conservation treatment, collaborative research and teaching in all areas of the relevant collections in collaboration with staff. 3. Works with the Chief Conservator to coordinate collaborative research and analysis, implement treatments, create and maintain conservation documentation. 4. Manages a conservation department including planning budgets, supply and equipment inventory, coordinating contract work, and mediating any intra-departmental issues; pursues grants and other sources of funding. 5. Undertakes treatments and develops new methodologies for conservation and sustainable preservation; undertakes research in materials and techniques, including new methods of scientific research, disseminating research results through publications, presentations, conferences and workshops. 6. Identifies and diagnoses problems, approves conservation methods which ensure the safety of the objects. Assesses and approves alternative and/or modify conservation methods to achieve desired results. 7. Ensures accurate written and photographic documentation for conservation examinations, treatments and other activities. Leads research necessary to preserve collections and ensure deterioration of collections is monitored and controlled. 8. Advises on problems associated with environmental control, climate control, and light levels in storage and other areas of the museum or library. 9. Sets conservation priorities for collections and/or individual projects; for the care and physical well-being of collections. Assists in planning strategies for collection care. 10. Examines objects prior to acquisition and advises on authenticity and condition in collaboration with Chief Conservator, curators and other relevant experts. 11. Leads staff, visiting scholars, researchers and students in examination and conservation techniques. 12. Manages a staff of exempt and non-exempt employees and/or students to ensure that conservation standards are followed across the collection. 13. Oversees safe use and disposal of hazardous materials in accordance with current federal, state, and local regulations and policies. 14. Contributes to the field and profession through teaching, publishing, and presenting at national and international conferences. 15. May perform other duties as assigned. Required Education and Experience Master’s Degree in Art, Museum and/or Library/Archives Conservation, Materials Science, or related field. Five years of advanced conservation experience or equivalent combination of education and experience. Required Skill/Ability 1: Proven skill in practical conservation methods related to works on paper and a working knowledge of examination and analytical research tools. Proven ability to perform successful treatments. Required Skill/Ability 2: Demonstrated ability to lead others through strong supervisory and organizational skills. Ability to support, foster and encourage the personal development of departmental staff. Outstanding interpersonal skills. Required Skill/Ability 3: Demonstrated ability to manage a conservation facility/laboratory, including workflow, treatment priorities, and to combine long-range planning and productive short-term management. Required Skill/Ability 4: Proven skill in caring for a major collection and undertaking complex conservation procedures. Demonstrated knowledge of research, methods of conservation, and the history of artists’ materials and techniques. Required Skill/Ability 5: Demonstrated ability to work with modern conservation documentation and materials. Preferred Education, Experience and Skills: 1. 10 years of advanced conservation experience with specialized expertise in the conservation of works on paper. 2. Experience with British art and art history. 3. Current understanding of digital conservation technologies and documentation. Weekend Hours Required? No Evening Hours Required? Occasional Drug Screen No Health Screening No Background Check Requirements All external candidates for employment will be subject to pre-employment background screening for this position, which may include motor vehicle and credit checks based on the position description and job requirements. Internal candidates may be subject to a motor vehicle or credit check for this position based on the position description and job requirements. All offers are contingent on successful completion of the required background check. Please visit www.yale.edu/hronline/careers/screening/faqs.html for additional information on the background check requirements and process. Posting Disclaimer The intent of this job description is to provide a representative summary of the essential functions that will be required of the position and should not be construed as a declaration of specific duties and responsibilities of the particular position. Employees will be assigned specific job-related duties through their hiring departments.

Edenworkshops Digest Dos a Dos Binding

The Dos-à-Dos binding.

In bookbinding, a dos-à-dos binding (from the French meaning "back-to-back") is a binding structure in which two or more separate books are bound together such that the fore edge of one is adjacent to the spine of the other, with a shared lower board between them serving as the back cover of both.


A five fold dos à dos b: inding from 1736.

When shelved, the spine of the book to the right faces outward, while the spine of the book to the left faces the back of the shelf; the text of both works runs head-to-tail.

The dos-à-dos format dates back at least to the 16th century, though they were most common in England was in the first half of the 17th century.

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Restauro libri

Grandi Eleonora e Caroline!
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