Flavio Marzo's manuscript highlight: Add. MS 11835 – Psalms, with Hymns - Digitised Manuscripts

Flavio Marzo's manuscript highlight: Add. MS 11835 – Psalms, with Hymns - Digitised Manuscripts

Flavio Marzo's manuscript highlight: Add. MS 11835 – Psalms, with Hymns


Paste down back board with mark from the original leather strap

This very interesting little book, containing the Psalms and most of the Divine Office, might be one of my favourite Greek manuscripts. While there are many ways of looking at such a manuscript, as an experienced conservator, the reason why I have chosen this manuscript is because of its physical features which are closely related to its history.


Fore edge with metal (brass) pin and clasp with leather strap

One obvious striking feature of this manuscript is its size: it measures a mere 93mm in length, 74mm in width, and 34mm in thickness – ideal to be carried around by a monk in his daily prayers. Today, the book is housed in a beautiful 20th century box manufactured in the shape of a western-style book, at the British Library. The manuscript itself, however, is still bound in its original Byzantine binding, displaying typical characteristics of this style – 'link-stitch' sewing, a back with no visible supports, wooden boards with the distinguishing V-shaped edges etc.

We know by looking at the writing that it was probably copied in the 13th century. A note on f.21v tells us that it must have belonged to the library of St. Catherine's Monastery in Sinai, Egypt, during the 17th and 18th centuries. The front and the back boards of the box bear the emblem of the Bibliotheca Butleriana, an important collection of which the manuscript was part of, before coming to the British Library.


Head of the manuscript with “V” shaped edges of the boards and head end band

It is, however, the small physical details that disclose many more information about its rich history. A simple stain on the inside back board, for example, is the mark left by a previous leather strap. The original leather strap broke and was replaced by another, the latter made of one double strip of leather, is split in two instead been split in three as it was originally and so one of the lacing holes in the front cover was therefore left empty after the repair. I am particularly excited by the potential for new discoveries and observations to be made once images of this manuscript and many others like it are made available online. Are there, for example, other surviving manuscripts that bear the marks of the same tools, used to decorate the leather cover and could therefore lead us to the workshop that produced this manuscript? Similar comparisons on the threads used for the end bands or the style of decoration of the brass clasp might help us to better understand the origins of this wonderful book.

Flavio Marzo